** spoiler alert ** Kate Morton is so adept at creating atmosphere and painting rich detail with her gift of language that you know you're in for a treat when you pick up one of her books. She always sets the stage then masterfully unravels the threads in her intriguing, multi-layered stories. She did it again in 'The Clockmaker's Daughter.' I have so many "dog-eared" pages in my copy because of little tidbits of writing that resonated with me ~ I felt like I should be back in college with a highlighter!
There were quite a few characters in the novel, but a non-human one emerged as the dominate presence ~ the house at Birchwood. I could almost see that house (and it's gardens) and reading about it, I could swear, I felt the "pull" of it myself. The theme of a "sense of belonging" within its walls was so compelling. That so many of the characters felt it, in their turn, was interesting. Most weren't related nor did they know anything about the house before almost stumbling across it. Yet they were all drawn in & to it in an inexplicable way. That feeling & concept fascinates me. It's not anything I've experienced personally but I'm inclined (viscerally) to believe in such things.
The book started a little slow for me but in its defense, I was also determined to take my time reading it. I wanted to savor the beautiful, evocative writing for as long as possible. As opposed to my normal method of ravenously scarfing up pages after waiting a long time for something new from a favorite author!
I loved the middle of the book, the build up & the way the pieces started twining together at the end. There were almost too many characters and storylines for me tho and some of them not fully developed (or their storylines weren't??) Maybe Kate was trying to kick it up a notch & triple or quadruple timeline us then it got too overwhelming even for her?? I was NOT a fan of the ending. I don't know why it wasn't satisfying for me that Birdie will never move on from the house?? On some level, I can see the romanticized notion that she's now a part of the fiber of it but mostly I wanted her to be "free" after her story was finally revealed. Free to leave the grounds, free to find Edward, and free from the monotony of waiting on a new and "interesting" visitor. She was, afterall, accidentally trapped there, not there by ownership or particular affiliation with the house. Am I the only one who felt this way? It also seemed a little crazy that Lucy wouldn't remember hiding her away. Maybe I'm not understanding head trauma? aarggg. I kept saying "no, no, no" ~ Kate this can't be the end!! But what ending did I want?? I can't think right now how I could make it better ~ I certainly don't possess a tenth of Ms Morton's skills. I just wanted Birdie to finally be relieved of the mantle of watching over the house & pass on to the next plane??
It feels a little odd to give the 'The Clockmaker's Daughter' just 3 stars. I'm so used to absolutely loving everything this author writes. There was a lot to like about it, despite my feelings about how it wrapped but if someone asked me to recommend a Kate Morton book, this one wouldn't displace any of her others in my list of favorites. 'The Forgotten Garden' remains unchallenged at the top.